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In this Final Conference, the Creative FLIP project will showcase its experience and outputs of more than two years’ work on issues central to the CCSIs: Finance, Learning, Innovation and Patenting/IP.

As part of the Ambassadors of Change platform, we will present our learning toolkit Un-Scattering Creativity (Link to post No. 2)

The Final Conference will take place on 21–22 June 2021, and will be organised under Shaping Policy, Taking Actions.

Day 1: Shaping policy
How to support the cultural and creative sectors to become more future-proof themselves and, at the same time, further empower them in taking part in the development of a future-proof society?

Day 2: Taking action
What tools have been developed in the context of Creative FLIP to support the sector and tackle the challenges of tomorrow

Learn more about the program and register here!

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Un-Scattering Creativity is a public Miro board containing a collection of tools and case studies. It gives insights into the processes behind the scene at Lacuna Lab e.V. during the COVID-19 pandemic. Focusing on three main questions: \"How to keep the organisation afloat? How to present artworks to connect to the public? How to balance collective and individual needs?\", it aims to give guidance, especially to young creative hubs, with practices that derived from the challenges of the pandemic.

It is developed for the Creative FLIP Ambassador of Change Platform.

The link to the Miro board will be unveiled soon.

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WORKSHOP POSTPONED

Due to the global coronavirus situation the workshop is postponed til further notice. Stay safe!

Nam June Paik is known for manipulating a TV set with a magnet. One might think that after we abandoned monitor tubes the combination of TV and magnetism is gone as well. But similar techniques are still possible today by manipulating the signal flow between our devices, like in between a laptop and a monitor.

The fact that most signals used to communicate between devices via wires are based on electric current and that allows for easy hacking. For example one can manipulate the VGA video signal with coils and magnetic fields. The signal being similar to sound signals makes for an easy transfer to sound and vice versa. One can make a video signal hearable and display an audio signal on a monitor.

In the workshop every participant will build a Experimental VGA Processor that allows easy access to VGA signals and is able to mix all kind of signals.

With that we will process VGA and audio signals. We will learn the basic about the VGA standard and how to manipulate, mix and make these signals audible, but also how to amplifier, delay, blur and invert VGA video signals.

Workshop Fee: 90€ + Material 30€

Registration via online form or via mail: post(at)wolfgang-spahn.de

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Lacuna Lab is entering its fourth year of existence and we would like to celebrate that! In a combined exhibition Lacuna Lab members will present their latest works, accompanied by drinks and music to celebrate Lacuna Lab’s third birthday! Join us in a special, pop-up exhibition space for explorations in technology, art, science, orbital space, artificial intelligence and performative arts. We look forward to sharing another year of Lacuna Lab with you all.

INFO

JULY 27th–29th Opening: Fri 27th, 6 pm

Address: Paul-Lincke-Ufer 44A

VERNISSAGE EVENING PROGRAM

6 pm Opening 8 pm to 10 pm Performances Open end

OTHER DAYS 28th–29th

Open from 5 pm to 9 pm

WORKS

Merlin Carter Your Bones, My Skin Sahar Homami A Delicate Balance Thomas Heidtmann In Transit Bidisha Das, Thomas Heidtmann NOW. A Kinetic Life Jemma Woolmore Thresholds (an excerpt) Mickey van Olst (Johannes Lohbiler, Joao da Fonseca, Thibaut Brevet) NOTCH (mini) Saki Hibino (Kyoji Takahashi, Johannes Jakobi, Yiten Lai) Translucent Gene Kogan Meat Puppet

Cynthia-ël Hasbani hole hue heard Gilbert Sinnott Luneform Nenad Popov, Gilbert Sinnott, Bidisha Das, Fabien Artal Syzygy (Lunar Eclipse) Live Performance

On Facebook: https://www.facebook.com/events/1848379288571219/

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K(not) a Conversation is an installation exploring the concepts of artificial intelligence, creativity and labour. Inspired by ancient indigenous communication systems of Quipu knots, it instigates a communication and reflection process through the use of knots and AI systems.

For transmediale / Vorspiel & CTM artists Nayeli Vega Vargas, Thomas Heidtmann, Ambika Joshi present the second version of the project. It completes the original concept developed during the CoLab Fellowship by introducing an enhanced digital version and by showcasing a first physical sculpture prototype.

Visit knotaconversation.art to find out more about the project.

The event is part of Lacuna Lab's event series: Transmediale Vorspiel 2021 | Scattered Partners

Access to OpenAI’s GPT-3 kindly supported by Dara, a global community for change-makers & cultural professionals. Join the network here: https://www.dara.network/

Special thanks to Hasan S. and Anushka Trivedi for additional help with the GPT-3 implementation.

Nayeli Vega Vargas is supported by Elsa Neumann Scholarship of the State of Berlin.

Thomas Heidtmann wird gefördert durch die Senatsverwaltung für Kultur und Europa des Landes Berlin.

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A talk by the artist-designer Fara Peluso showing how art and design can be mediators between science and the public to build a collective memory.

Fara Peluso’s works are placed at the interconnection between art, design and science, showing how a new way to design is already today possible through a speculative methodology.

A design made just for the human being perspective is replaced with a new practice which considers all living organisms too. A new way of living together, from new possible housing systems to something deeper and even symbiotic. Presenting her works Peluso shows how the artistic and the design practices can be the right mediators between science and public to build a collective memory of Anthropocene's effects, being ready for a step over towards a Post-Anthropocene and symbiotic existence.

The future can start to be shaped through the interest in biology not only from scientists but also from engineers, investors, artists and designers. All together for a common idea to change not the World but the way we are used to seeing it.

The event is part of Lacuna Lab's event series: Transmediale Vorspiel 2021 | Scattered Partners

Five years since she presented the lecture-performance Mind Blind: Therapeutic Interventions for Human/NonHuman Communications for Transmediale Vorspiel 2016, artist Sarah Hermanutz revisits the problems of social cognition in this time of isolation and multiple intersecting crises.

While previously this performance played with the discomfort and tensions of an audience's physical presence made captive within the social conventions of an in-person lecture, in 2021 the human observers may only join remotely through Zoom. Within the gallery, the artist will livestream from her unvisitable installation environment. Seeking comfort, escape, and clarity amid the leaking infrastructures of our times, she will be using whatever tools at her disposal to finally help axolotls to understand the Pathetic Sublime.

Organised by Art Laboratory Berlin in cooperation with Lacuna Lab.

The event is part of Lacuna Lab's event series: Transmediale Vorspiel 2021 | Scattered Partners

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I studied video art with Mark Leckey and Douglas Gordon at the Städelschule in Frankfurt (Main) and currently live and work in Berlin.

My projects are conducted in between the lines of art, science and technology, touching discourses on artificial intelligence, entomology or cybernetics and referring to the history of performance and video art, as well as utilising notions of jest and improvisation. Often I construct technical prototypes, which are tried out by the public and go through various phases of continuous development.

My work has been presented in intl. Exhibitions: “RECORD > AGAIN!”, ZKM Karlsruhe (2009), “The indifference of Wisdom”, NURTUREart New York City (2013), “Risk Society”, MOCA Taipei (2013), “Showcase”, SPACE London (2018), “Offline Browser“, Hong-Gah Museum Taiwan (2018-2019), “Datami”, BOZAR Bruessels (2019-2020) / festivals &screenings: SALT Beyoğlu Istanbul (2012), Luminato Festival Toronto (2014), European Media Arts Festival, Osnabrück (2010, 2014, 2015, 2017), “IN/OUT“ Festival of the National Gallery Amman (2019) and received various prices and grands, such as support from Hauptstadtkulturfonds Berlin.

I hold lectures and presentations: “Push your art” Palais de Tokyo, Paris (2013), “Art in the Age of Earthquakes” Martin-Gropius-Bau, Berlin (2016), “Re:publica” Berlin (2019), “The Whole Life Academy“ Haus der Kulturen der Welt, Berlin (2021) and worked as an EU-expert for “Resonances III“ at the Joint Research Centre (JRC) in Ispra (2018-2020).

Paul Wiersbiski (Lacuna Lab, Berlin) will investigate how the rituals of theatre can be used to portray the ritualism of spiritual machines. How do we use them to make predictions about an uncertain future?

His aim is to develop a format in between digitality and theatre. The audience is invited to participate actively in a collective ritual without leaving their home.

In order to take part, you will need a smartphone or tablet running with a frontal camera and the zoom.us app installed. During the event, you will be given simple instructions to move through your apartment, that you have to follow. Please be aware that the event will be recorded and published and by partaking, you agree to the distribution of your image.

The event is part of Lacuna Lab's event series: Transmediale Vorspiel 2021 | Scattered Partners

Mit freundlicher Unterstützung des Fonds Darstellende Künste aus Mitteln der Beauftragten der Bundesregierung für Kultur und Medien im Rahmen von NEUSTART KULTUR // In Kooperation mit PATHOS München

Link: https://www.pathosmuenchen.de/.../remote-rules-and-rituals

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Nuño de la Serna Vicente is a Spanish Berlin-based media artist.

Born in Soria, Spain in 1992 he grew up constantly moving between cities. This nomadic lifestyle gave him an eclectic character that influences his work.

Mixing multiple art disciplines with inventive ways of using technology, Nuño tries to improve the coexistence between humans and technology. His creative process acknowledges the importance of the fair use of resources and free access to information. Nuño creates artworks that are born from fundamental innocent curiosity and resonate with complex contemporary issues.

In 2017, he started his career as self employed artist and focused on building communities for independent artists, free thinkers, engineers and scientists. He is currently member co-organizer of the Creative Code Berlin and founder of the / niːviːili / art platform.

Self-taught artist and engineer, Nuño acknowledges the importance of the free access to information and supports the free software movement.

Nuño de la Serna present a series of film interviews that reflect a momentary snapshot in the life of Lacuna Lab and its members. These interviews take a record of the artworks presented by the members during Vorspiel along with their individual backgrounds, influences, and points of view.

The video interviews will be released along the period of the festival prior to each artist's act.

More info at action-io.com/works/snapshot

Paul Wiersbinski | https://vimeo.com/503851681

Fara Peluso | https://vimeo.com/503877025

Sarah Hermanutz | https://vimeo.com/511728714

Nayeli Vega | https://vimeo.com/513415013

Thomas Heidtmann | https://vimeo.com/513864866

Martín Nadal | coming soon

Nuño de la Serna | coming soon

The event is part of Lacuna Lab's event series: Transmediale Vorspiel 2021 | Scattered Partner

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I studied video art with Mark Leckey and Douglas Gordon at the Städelschule in Frankfurt (Main) and currently live and work in Berlin.

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Self-taught artist and engineer, Nuño acknowledges the importance of the free access to information and supports the free software movement.

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I studied video art with Mark Leckey and Douglas Gordon at the Städelschule in Frankfurt (Main) and currently live and work in Berlin.

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Nuño de la Serna Vicente is a Spanish Berlin-based media artist.

Born in Soria, Spain in 1992 he grew up constantly moving between cities. This nomadic lifestyle gave him an eclectic character that influences his work.

Self-taught artist and engineer, Nuño acknowledges the importance of the free access to information and supports the free software movement.

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The video interviews will be released along the period of the festival prior to each artist's act.

More info at action-io.com/works/snapshot

Paul Wiersbinski | https://vimeo.com/503851681

Fara Peluso | https://vimeo.com/503877025

Sarah Hermanutz | https://vimeo.com/511728714

Nayeli Vega | https://vimeo.com/513415013

Thomas Heidtmann | https://vimeo.com/513864866

Martín Nadal | coming soon

Nuño de la Serna | coming soon

The event is part of Lacuna Lab's event series: Transmediale Vorspiel 2021 | Scattered Partner

","end":null,"start":1611658800,"status":"published","meta":"Nuño de la Serna present a series of film interviews that reflect a momentary snapshot in the life of Lacuna Lab and its members. These interviews take a record of the artworks presented by the members during Vorspiel along with their individual backgrounds, influences, and points of view.","title":"Snapshot","id":"snapshot","cover":[{"id":"snapshot.jpeg","location":"events","item":{"id":"snapshot.jpeg","url":"/Users/gilbert/Code/lacuna-media/events/snapshot.jpeg","name":"snapshot","ext":"jpeg","width":960,"height":1200,"ratio":1.25,"location":{"path":"/Users/gilbert/Code/lacuna-media/events","name":"events"},"meta":{"megapixels":1.2,"colours":["hsl(0,0.0%,50.0%)","hsl(0,0.0%,26.0%)","hsl(0,0.0%,74.0%)","hsl(0,0.0%,48.6%)","hsl(0,0.0%,26.7%)","hsl(0,0.0%,73.7%)"]},"size":85271,"mime":"image/jpeg","unique":"8639680748-1623831866619.7236-1623831869294.599","api":"/api/lacuna/media/events/snapshot.jpeg.json","created":1623831866,"updated":1623831866}}],"created":1623832972,"updated":1623957248,"extra":[]}},{"id":"remote-rules-and-rituals","model":"events","item":{"places":[{"id":"lacuna-lab","model":"places","item":{"address":"Paul-Lincke-Ufer 44A, 10999 Berlin\n","title":"Lacuna Lab","id":"lacuna-lab","created":1623700707,"updated":1623700707}}],"associated":[{"id":"paul-wiersbinski","model":"profiles","item":{"name":"Paul Wiersbinski","biography":"

I studied video art with Mark Leckey and Douglas Gordon at the Städelschule in Frankfurt (Main) and currently live and work in Berlin.

His aim is to develop a format in between digitality and theatre. The audience is invited to participate actively in a collective ritual without leaving their home.

The event is part of Lacuna Lab's event series: Transmediale Vorspiel 2021 | Scattered Partners

Link: https://www.pathosmuenchen.de/.../remote-rules-and-rituals

","end":null,"start":1611943200,"status":"published","meta":"Paul Wiersbiski (Lacuna Lab, Berlin) will investigate how the rituals of theatre can be used to portray the ritualism of spiritual machines. How do we use them to make predictions about an uncertain future?","title":"Remote Rules and Rituals","id":"remote-rules-and-rituals","cover":[{"id":"remote-rituals.jpeg","location":"events","item":{"id":"remote-rituals.jpeg","url":"/Users/gilbert/Code/lacuna-media/events/remote-rituals.jpeg","name":"remote-rituals","ext":"jpeg","width":1200,"height":674,"ratio":0.5616666666666666,"location":{"path":"/Users/gilbert/Code/lacuna-media/events","name":"events"},"meta":{"megapixels":0.809,"colours":["hsl(29,84.6%,51.8%)","hsl(30,89.6%,26.3%)","hsl(47,66.1%,76.9%)","hsl(227,6.0%,45.9%)","hsl(33,26.8%,27.8%)","hsl(47,66.1%,30.0%)"]},"size":39260,"mime":"image/jpeg","unique":"8639680732-1623831858406.037-1623831863220.6687","api":"/api/lacuna/media/events/remote-rituals.jpeg.json","created":1623831858,"updated":1623831858}}],"created":1623832749,"updated":1623957251,"extra":[]}},{"id":"mind-blind-pathetic-sublime-explaining-the-pathetic-sublime-to-an-axolotl-audience","model":"events","item":{"places":[{"id":"art-laboratory-berlin","model":"places","item":{"address":"Art Laboratory Berlin\nPrinzenallee 34\n13359 Berlin","title":"Art Laboratory Berlin","id":"art-laboratory-berlin","created":1623832579,"updated":1623832579}}],"associated":[{"id":"sarah-hermanutz","model":"profiles","item":{"name":"Sarah Hermanutz","biography":null,"email":"sarah@lacunalab.org","picture":[{"id":"b45b57d4-d7c2-53a1-830b-fa740ee6f098.jpg","location":"v2"}],"links":[{"id":"sarah-hermanutz-website","model":"links"}],"id":"sarah-hermanutz","type":"member","updated":1623681636,"est":550627200,"profession":"Artist"}}],"tags":[{"id":"performance","model":"tags","item":{"id":"performance","created":1623687524,"updated":1623687524}}],"links":[],"description":"

Organised by Art Laboratory Berlin in cooperation with Lacuna Lab.

The event is part of Lacuna Lab's event series: Transmediale Vorspiel 2021 | Scattered Partners

","end":null,"start":1613502000,"status":"published","meta":"Five years since she presented the lecture-performance Mind Blind: Therapeutic Interventions for Human/NonHuman Communications for Transmediale Vorspiel 2016, artist Sarah Hermanutz revisits the problems of social cognition in this time of isolation and multiple intersecting crises.","title":"Mind Blind Pathetic Sublime : Explaining The Pathetic Sublime to An Axolotl Audience","id":"mind-blind-pathetic-sublime-explaining-the-pathetic-sublime-to-an-axolotl-audience","cover":[{"id":"mbpathsublime.jpeg","location":"events","item":{"id":"mbpathsublime.jpeg","url":"/Users/gilbert/Code/lacuna-media/events/mbpathsublime.jpeg","name":"mbpathsublime","ext":"jpeg","width":1200,"height":731,"ratio":0.6091666666666666,"location":{"path":"/Users/gilbert/Code/lacuna-media/events","name":"events"},"meta":{"megapixels":0.877,"colours":["hsl(200,45.6%,57.5%)","hsl(212,65.6%,23.9%)","hsl(31,64.4%,71.4%)","hsl(40,21.0%,48.6%)","hsl(41,25.9%,26.5%)","hsl(60,27.1%,76.9%)"]},"size":39010,"mime":"image/jpeg","unique":"8639680692-1623831809511.0684-1623831818455.4724","api":"/api/lacuna/media/events/mbpathsublime.jpeg.json","created":1623831809,"updated":1623831809}}],"created":1623832597,"updated":1623957253,"extra":[]}},{"id":"comprehensive-thinkers-for-a-post-anthropocene","model":"events","item":{"places":[{"id":"ctpa-facebook","model":"links","item":{"url":"https://www.facebook.com/events/2451429091669346","title":"Online event","id":"ctpa-facebook","created":1623832405,"updated":1623835307}}],"associated":[{"id":"fara-peluso","model":"profiles","item":{"name":"Fara Peluso","biography":null,"email":"farapeluso@gmail.com","picture":[{"id":"fara.jpeg","location":"v2"}],"links":[{"id":"fara-peluso-website","model":"links"}],"id":"fara-peluso","type":"member","updated":1623943388,"est":1576800000,"profession":"Artist","associated":[]}}],"tags":[{"id":"talk","model":"tags","item":{"id":"talk","created":1623688843,"updated":1623688843}}],"links":[{"id":"ctpa-facebook","model":"links","item":{"url":"https://www.facebook.com/events/2451429091669346","title":"Online event","id":"ctpa-facebook","created":1623832405,"updated":1623835307}}],"description":"

A talk by the artist-designer Fara Peluso showing how art and design can be mediators between science and the public to build a collective memory.

Fara Peluso’s works are placed at the interconnection between art, design and science, showing how a new way to design is already today possible through a speculative methodology.

The event is part of Lacuna Lab's event series: Transmediale Vorspiel 2021 | Scattered Partners

","end":null,"start":1613750400,"status":"published","meta":"A talk by the artist-designer Fara Peluso showing how art and design can be mediators between science and the public to build a collective memory.","title":"Comprehensive Thinkers for a Post-Anthropocene","id":"comprehensive-thinkers-for-a-post-anthropocene","cover":[{"id":"ctfpa-cover.jpeg","location":"events","item":{"id":"ctfpa-cover.jpeg","url":"/Users/gilbert/Code/lacuna-media/events/ctfpa-cover.jpeg","name":"ctfpa-cover","ext":"jpeg","width":1200,"height":900,"ratio":0.75,"location":{"path":"/Users/gilbert/Code/lacuna-media/events","name":"events"},"meta":{"megapixels":1.1,"colours":["hsl(96,43.5%,36.1%)","hsl(95,39.7%,28.6%)","hsl(76,35.4%,75.1%)","hsl(84,32.3%,48.6%)","hsl(105,37.3%,23.1%)","hsl(0,0.0%,73.7%)"]},"size":46135,"mime":"image/jpeg","unique":"8639680704-1623831823294.5457-1623831835317.2498","api":"/api/lacuna/media/events/ctfpa-cover.jpeg.json","created":1623831823,"updated":1623831823}}],"created":1623832429,"updated":1623957256,"extra":[]}},{"id":"knot-a-conversation-communication-through-knots-and-ai-systems","model":"events","item":{"places":[{"id":"lacuna-lab","model":"places","item":{"address":"Paul-Lincke-Ufer 44A, 10999 Berlin\n","title":"Lacuna Lab","id":"lacuna-lab","created":1623700707,"updated":1623700707}}],"associated":[{"id":"nayeli-vega","model":"profiles","item":{"name":"Nayeli Vega","biography":null,"email":"nayeli@lacunalab.org","picture":[{"id":"138d429d-0913-5e27-b680-e870a962b812.jpg","location":"v2"}],"links":[{"id":"nayeli-vega-website","model":"links"}],"id":"nayeli-vega","type":"member","updated":1623681641,"est":392860800,"profession":"Artist"}},{"id":"thomas-heidtmann","model":"profiles","item":{"name":"Thomas Heidtmann","biography":"Thomas Heidtmann is a Berlin-based media artist, studied at the Berlin University of the Arts. He works at the intersection of art, science and technology. Since 2015 he has been a co-founder and board member of Lacuna Lab e.V. As founder of the space art initiative SPARTH (since 2017) and its community SPARTHabitat (since 2018), he investigates and promotes space art activities. His works have been presented internationally and examine forms of exploration, collaboration, and space.","email":"thomas@lacunalab.org","picture":[{"id":"thomas-heidtmann-web.jpg","location":"v2"}],"links":[{"id":"thomas-heidtmann-website","model":"links"},{"id":"sparth","model":"links"}],"id":"thomas-heidtmann","type":"member","updated":1623853039,"est":77328000,"profession":"Media Artist","meta":"Thomas Heidtmann is a Berlin-based media artist, studied at the Berlin University of the Arts. He works at the intersection of art, science and technology. Since 2015 he has been a co-founder and board member of Lacuna Lab e.V. As founder of the space art initiative SPARTH (since 2017) and its community SPARTHabitat (since 2018), he investigates and promotes space art activities. His works have been presented internationally and examine forms of exploration, collaboration, and space.","picture-style":"normal"}}],"tags":[{"id":"talk","model":"tags","item":{"id":"talk","created":1623688843,"updated":1623688843}}],"links":[{"id":"knot-facebook","model":"links","item":{"url":"https://www.facebook.com/events/914070462679494","title":"Facebook event","id":"knot-facebook","created":1623832241,"updated":1623832241}},{"id":"knot-conversation","model":"links","item":{"url":"http://knotaconversation.art/","title":"knotaconversation.art","id":"knot-conversation","created":1623832269,"updated":1623832269}},{"id":"ambika-josh","model":"links","item":{"url":"https://computationalmama.xyz","title":"Ambika Josh","id":"ambika-josh","created":1623832288,"updated":1623832288}}],"description":"

Visit knotaconversation.art to find out more about the project.

The event is part of Lacuna Lab's event series: Transmediale Vorspiel 2021 | Scattered Partners

Access to OpenAI’s GPT-3 kindly supported by Dara, a global community for change-makers & cultural professionals. Join the network here: https://www.dara.network/

Special thanks to Hasan S. and Anushka Trivedi for additional help with the GPT-3 implementation.

Nayeli Vega Vargas is supported by Elsa Neumann Scholarship of the State of Berlin.

Thomas Heidtmann wird gefördert durch die Senatsverwaltung für Kultur und Europa des Landes Berlin.

In the midst of the global pandemic caused by covid-19, Transmediale celebrates the Vorspiel 2021, and due to the lockdown conditions, Lacuna Lab proposes an entirely digital program.

","end":null,"start":1610708400,"status":"published","meta":"In the midst of the global pandemic caused by covid-19, Transmediale celebrates the Vorspiel 2021, and due to the lockdown conditions, Lacuna Lab proposes an entirely digital program.","title":"Transmediale Vorspiel 2021 - Scattered Partners","id":"transmediale-vorspiel-2021-scattered-partners","cover":[{"id":"vorspiel-2021.jpeg","location":"events","item":{"id":"vorspiel-2021.jpeg","url":"/Users/gilbert/Code/lacuna-media/events/vorspiel-2021.jpeg","name":"vorspiel-2021","ext":"jpeg","width":1200,"height":800,"ratio":0.6666666666666666,"location":{"path":"/Users/gilbert/Code/lacuna-media/events","name":"events"},"meta":{"megapixels":0.96,"colours":["hsl(163,62.2%,38.4%)","hsl(170,87.8%,25.7%)","hsl(130,47.6%,67.1%)","hsl(165,24.7%,50.0%)","hsl(222,35.8%,26.9%)","hsl(18,10.3%,67.6%)"]},"size":41569,"mime":"image/jpeg","unique":"8639680757-1623831873312.9368-1623831878385.3809","api":"/api/lacuna/media/events/vorspiel-2021.jpeg.json","created":1623831873,"updated":1623831873}}],"created":1623940729,"updated":1623957239},{"start":1533290400,"end":null,"id":"now-a-kinetic-life","places":[{"id":"art-laboratory-berlin","model":"places","item":{"address":"Art Laboratory Berlin\nPrinzenallee 34\n13359 Berlin","title":"Art Laboratory Berlin","id":"art-laboratory-berlin","created":1623832579,"updated":1623832579}}],"description":"

NOW – A Kinetic Life is an interactive installation that spans a visual and acoustic connection between outer space and physical spaces that surround us. It is an orchestra of movement using elements from outer space, nature and human bodies as instrumentations. It is an expression of the ever-changing moment we are living in: NOW.

The installation brings in sounds from all these spaces in real-time to a modular synthesizer, the heart of the installation, that Das has created exclusively for the project. The synthesizer is accompanied by CubeSat-like objects that are part of Heidtmann’s Place in Orbit* project, wearable gloves and plants with sensors.

The experience is like having multiple ears aimed at different directions and in various locations at the same time. The real-time data from the spaces and the output result are unique each time it is performed: Natural sounds and sounds from the universe, all merging together – life, that is thriving everywhere and binding us together to live in the moment, NOW.

NOW – A Kinetic Life is made possible through the bangaloREsidency-Expanded programme by the Goethe-Institut / Max Mueller Bhavan Bangalore in cooperation with Lacuna Lab e.V. It is a collaboration with the Indian artist Bidisha Das.

","title":"NOW. A Kinetic Life","status":"draft","cover":[{"id":"now-kinetic-life.jpeg","location":"events","item":{"id":"now-kinetic-life.jpeg","url":"/Users/gilbert/Code/lacuna-media/events/now-kinetic-life.jpeg","name":"now-kinetic-life","ext":"jpeg","width":800,"height":533,"ratio":0.66625,"location":{"path":"/Users/gilbert/Code/lacuna-media/events","name":"events"},"meta":{"megapixels":0.426,"colours":["hsl(59,39.4%,50.8%)","hsl(82,55.0%,31.4%)","hsl(40,94.1%,80.0%)","hsl(39,24.7%,50.0%)","hsl(31,30.1%,32.5%)","hsl(43,38.5%,64.9%)"]},"size":64956,"mime":"image/jpeg","unique":"8639740033-1623862593685.5762-1623862606839.6155","api":"/api/lacuna/media/events/now-kinetic-life.jpeg.json","created":1623862593,"updated":1623862593}}],"meta":"NOW – A Kinetic Life is an interactive installation that spans a visual and acoustic connection between outer space and physical spaces that surround us. It is an orchestra of movement using elements from outer space, nature and human bodies as instrumentations. It is an expression of the ever-changing moment we are living in: NOW.","tags":[{"id":"performance","model":"tags","item":{"id":"performance","created":1623687524,"updated":1623687524}},{"id":"exhibition","model":"tags","item":{"id":"exhibition","created":1623687531,"updated":1623687531}}],"links":[{"id":"now-kinetic-life-th","model":"links","item":{"url":"http://thomasheidtmann.de/NOW-A-Kinetic-Life/","title":"NOW - A Kinetic Life","id":"now-kinetic-life-th","created":1623862745,"updated":1623862745}}],"updated":1623862754,"associated":[{"id":"art-laboratory-berlin","model":"profiles","item":{"links":[],"biography":null,"picture":[{"id":"art-lab-berlin.png","location":"logo","item":{"id":"art-lab-berlin.png","url":"/Users/gilbert/Code/lacuna-media/logos/art-lab-berlin.png","name":"art-lab-berlin","ext":"png","width":508,"height":306,"ratio":0.6023622047244095,"location":{"path":"/Users/gilbert/Code/lacuna-media/logos","name":"logo"},"meta":{"megapixels":0.155,"colours":["hsl(20,4.5%,50.0%)","hsl(20,4.5%,26.0%)","hsl(20,4.5%,74.0%)","hsl(26,2.9%,53.1%)","hsl(30,28.6%,11.0%)","hsl(20,4.5%,74.1%)"]},"size":18863,"mime":"image/png","unique":"8639692600-1623837816509.9124-1623837834340.5427","api":"/api/lacuna/media/logo/art-lab-berlin.png.json","created":1623837816,"updated":1623837816}}],"email":null,"profession":null,"meta":"Art Laboratory Berlin","est":null,"type":"community","name":"Art Laboratory Berlin","id":"art-laboratory-berlin","created":1623685207,"updated":1623837849,"picture-style":"light","associated":[]}},{"id":"goethe-institute","model":"profiles","item":{"links":[],"biography":null,"picture":[{"id":"goethe.png","location":"logo","item":{"id":"goethe.png","url":"/Users/gilbert/Code/lacuna-media/logos/goethe.png","name":"goethe","ext":"png","width":354,"height":172,"ratio":0.4858757062146893,"location":{"path":"/Users/gilbert/Code/lacuna-media/logos","name":"logo"},"meta":{"megapixels":0.061,"colours":["hsl(85,61.3%,49.6%)","hsl(85,61.3%,26.0%)","hsl(86,62.8%,71.6%)","hsl(85,61.3%,30.0%)","hsl(85,61.3%,30.0%)","hsl(0,0.0%,98.8%)"]},"size":20878,"mime":"image/png","unique":"8639698048-1623838788188.5688-1623838799205.5947","api":"/api/lacuna/media/logo/goethe.png.json","created":1623838788,"updated":1623838788}}],"email":null,"profession":null,"meta":null,"est":null,"type":"organisation","name":"Goethe Institute","id":"goethe-institute","created":1623685076,"updated":1623838824,"picture-style":"light","associated":[]}}],"extra":[]},{"start":1484568000,"end":null,"id":"art-grant-writing-seminar-and-workshop","places":[{"id":"lacuna-lab","model":"places","item":{"address":"Paul-Lincke-Ufer 44A, 10999 Berlin\n","title":"Lacuna Lab","id":"lacuna-lab","created":1623700707,"updated":1623700707}}],"description":"

We are happy to host Berlin Art Grant Clinic in Lacuna Lab with the:

ART GRANT WRITING SEMINAR and WORKSHOP: 16, 17, 24 & 25 January

Early bird registration date: 12 January 2017

GRANT DIAGNOSIS SEMINAR (16-17 January)

This is simply a crash course that will give you the main perspective and tools to make a competitive grant application. In this seminar you will be instructed step by step through the narrative structure of a grant application. You will learn formulating your project description and artist statement. Additionally, you will explore the ways of finding the suitable German and International application calls for your project/artwork.

Working topics include:

Day #1: On Funding Bodies

– Understanding Funding Bodies

– Decision process in funding application evaluations

– List of grant givers

– Places to find grant givers

– Getting over your writing blockage

Day #2: On Applications

– Structure of funding applications

– Creating a project description

– Writing your artist statement

– Key elements, tips and tricks for a successful application

20 mins. one-to-one consultancy with each participant on a particular project.

OPERATION WORKSHOP (24-25 January)

This is a hands-on grant writing workshop for artists, artistic projects and applications for residency programmes. The workshop aims at preparing you to submit better applications to the up-coming open calls. It is for applicants who want to develop their existing grant writing skills. Throughout Module #1 you will have to the opportunity to learn how to create a timeline and an efficient budget, and in Module #2 you will be able to exchange ideas and views with your peers, polish your application, and get equipped for your upcoming proposals.

Working topics include:

Day #1: Time, Budget, Tips and Tricks

– A focused timeline

– Focused and realistic budgeting

– Tips and tricks to avoid emergency expenditure

– Working with a sample application

Day #2: Hands-on Application Operation

– Requirements for a good proposal

– Making yourself a strong applicant

– Enriching and polishing your content

– Working on your application – peer evaluation

FOR MORE INFO on content, fees & registration:

http://artgrantclinic.org/

berlingrantclinic@gmail.com

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Mitmischen in der EU-Technologiepolitik

Darf die Polizei meine Prothese konfiszieren? Bekommen selbstfahrende Autos Strafzettel? Beschäftigen wir bald nur noch Roboter in der Pflege? Wem gehört die Software, die auf meinem Implantat läuft? Viele Fragen der Ethik im Umgang mit Technologie werden inzwischen auf europäischer Ebene diskutiert. Bis sie die nationalen Parlamente und die Aufmerksamkeit der Massenmedien erreichen, sind viele Weichenstellungen bereits abgeschlossen. Unternehmen haben sich weitgehend auf die Bedeutung der europäischen Politik eingestellt und ihre Lobbyisten nach Brüssel geschickt, der Zivilgesellschaft fällt die Einflussnahme aber oftmals noch schwer. Dabei ist es leichter als man denkt, die europäische Politik direkt zu beeinflussen. Julia Reda berichtet aus ihrer Arbeit im Europaparlament und diskutiert mit dem Cyborg e.V., wie effektives zivilgesellschaftliches Engagement in der Europapolitik funktionieren kann, welche Institutionen eine besondere Rolle spielen und wie sich auch Spezialthemen in den Fokus der Öffentlichkeit rücken lassen.

","title":"Plug'n'Play Meeting #9 with Julia Reder","status":"published","cover":[{"id":"cyborgs.png","location":"v2","item":{"id":"cyborgs.png","url":"/Users/gilbert/Code/lacuna-media/v2/cyborgs.png","name":"cyborgs","ext":"png","width":481,"height":216,"ratio":0.4490644490644491,"location":{"path":"/Users/gilbert/Code/lacuna-media/v2","name":"v2"},"meta":{"megapixels":0.104,"colours":["hsl(26,44.2%,50.0%)","hsl(26,44.2%,25.3%)","hsl(199,36.7%,88.2%)","hsl(100,12.5%,47.1%)","hsl(28,23.5%,26.7%)","hsl(176,9.5%,71.0%)"]},"size":175343,"mime":"image/png","unique":"8639432640-1594077346000-1623591850697.1968","api":"/api/lacuna/media/v2/cyborgs.png.json","created":1594077346,"updated":1594077346}}],"meta":"Darf die Polizei meine Prothese konfiszieren? Bekommen selbstfahrende Autos Strafzettel? Beschäftigen wir bald nur noch Roboter in der Pflege? Wem gehört die Software, die auf meinem Implantat läuft? Viele Fragen der Ethik im Umgang mit Technologie werden inzwischen auf europäischer Ebene diskutiert. ","tags":[{"id":"meetup","model":"tags","item":{"id":"meetup","created":1623687546,"updated":1623687546}},{"id":"talk","model":"tags","item":{"id":"talk","created":1623688843,"updated":1623688843}}],"links":[{"id":"julia-reda","model":"links","item":{"url":"https://juliareda.eu/en/","title":"Julia Reda","id":"julia-reda","created":1623850554,"updated":1623850554}}],"updated":1623851128,"associated":[{"id":"cyborgs","model":"profiles","item":{"name":"Cyborgs e.V.","biography":null,"email":"hello@cyborgs.cc","picture":[{"id":"logocyborgsev-236x300.png","location":"v2","item":{"id":"logocyborgsev-236x300.png","url":"/Users/gilbert/Code/lacuna-media/v2/logocyborgsev-236x300.png","name":"logocyborgsev-236x300","ext":"png","width":236,"height":300,"ratio":1.271186440677966,"location":{"path":"/Users/gilbert/Code/lacuna-media/v2","name":"v2"},"meta":{"megapixels":0.071,"colours":["hsl(0,0.0%,50.0%)","hsl(0,0.0%,26.0%)","hsl(0,0.0%,74.0%)","hsl(0,0.0%,30.0%)","hsl(0,0.0%,1.6%)","hsl(0,0.0%,30.0%)"]},"size":5709,"mime":"image/png","unique":"8639432649-1594083458000-1623591850725.6707","api":"/api/lacuna/media/v2/logocyborgsev-236x300.png.json","created":1594083458,"updated":1594083458}}],"links":[{"id":"cyborgs-ev-website","model":"links","item":{"title":"Website","url":"cyborgs.cc","id":"cyborgs-ev-website"}}],"id":"cyborgs","type":"community","updated":1623837694,"picture-style":"light","associated":[]}}],"extra":[]},{"start":1447786800,"end":null,"id":"plugnplay-meeting-8","places":[{"id":"lacuna-lab","model":"places","item":{"address":"Paul-Lincke-Ufer 44A, 10999 Berlin\n","title":"Lacuna Lab","id":"lacuna-lab","created":1623700707,"updated":1623700707}}],"description":"

Discussion round for cyborgs and interested parties.

","title":"Plug'n'Play Meeting #8","status":"published","cover":[{"id":"cyborgs.png","location":"v2","item":{"id":"cyborgs.png","url":"/Users/gilbert/Code/lacuna-media/v2/cyborgs.png","name":"cyborgs","ext":"png","width":481,"height":216,"ratio":0.4490644490644491,"location":{"path":"/Users/gilbert/Code/lacuna-media/v2","name":"v2"},"meta":{"megapixels":0.104,"colours":["hsl(26,44.2%,50.0%)","hsl(26,44.2%,25.3%)","hsl(199,36.7%,88.2%)","hsl(100,12.5%,47.1%)","hsl(28,23.5%,26.7%)","hsl(176,9.5%,71.0%)"]},"size":175343,"mime":"image/png","unique":"8639432640-1594077346000-1623591850697.1968","api":"/api/lacuna/media/v2/cyborgs.png.json","created":1594077346,"updated":1594077346}}],"meta":"Discussion round for cyborgs and interested parties.","tags":[{"id":"meetup","model":"tags","item":{"id":"meetup","created":1623687546,"updated":1623687546}}],"links":[{"id":"plug-play-008","model":"links","item":{"url":"https://www.facebook.com/events/472104122981141/","title":"Facebook event","id":"plug-play-008","created":1623850524,"updated":1623850524}}],"updated":1623851114,"associated":[{"id":"cyborgs","model":"profiles","item":{"name":"Cyborgs e.V.","biography":null,"email":"hello@cyborgs.cc","picture":[{"id":"logocyborgsev-236x300.png","location":"v2","item":{"id":"logocyborgsev-236x300.png","url":"/Users/gilbert/Code/lacuna-media/v2/logocyborgsev-236x300.png","name":"logocyborgsev-236x300","ext":"png","width":236,"height":300,"ratio":1.271186440677966,"location":{"path":"/Users/gilbert/Code/lacuna-media/v2","name":"v2"},"meta":{"megapixels":0.071,"colours":["hsl(0,0.0%,50.0%)","hsl(0,0.0%,26.0%)","hsl(0,0.0%,74.0%)","hsl(0,0.0%,30.0%)","hsl(0,0.0%,1.6%)","hsl(0,0.0%,30.0%)"]},"size":5709,"mime":"image/png","unique":"8639432649-1594083458000-1623591850725.6707","api":"/api/lacuna/media/v2/logocyborgsev-236x300.png.json","created":1594083458,"updated":1594083458}}],"links":[{"id":"cyborgs-ev-website","model":"links","item":{"title":"Website","url":"cyborgs.cc","id":"cyborgs-ev-website"}}],"id":"cyborgs","type":"community","updated":1623837694,"picture-style":"light","associated":[]}}],"extra":[]},{"start":1445104800,"end":null,"id":"plugnplay-meeting-7","places":[{"id":"lacuna-lab","model":"places","item":{"address":"Paul-Lincke-Ufer 44A, 10999 Berlin\n","title":"Lacuna Lab","id":"lacuna-lab","created":1623700707,"updated":1623700707}}],"description":"

Discussion round for cyborgs and interested parties.

","title":"Plug'n'Play Meeting #7","status":"published","cover":[{"id":"cyborgs.png","location":"v2","item":{"id":"cyborgs.png","url":"/Users/gilbert/Code/lacuna-media/v2/cyborgs.png","name":"cyborgs","ext":"png","width":481,"height":216,"ratio":0.4490644490644491,"location":{"path":"/Users/gilbert/Code/lacuna-media/v2","name":"v2"},"meta":{"megapixels":0.104,"colours":["hsl(26,44.2%,50.0%)","hsl(26,44.2%,25.3%)","hsl(199,36.7%,88.2%)","hsl(100,12.5%,47.1%)","hsl(28,23.5%,26.7%)","hsl(176,9.5%,71.0%)"]},"size":175343,"mime":"image/png","unique":"8639432640-1594077346000-1623591850697.1968","api":"/api/lacuna/media/v2/cyborgs.png.json","created":1594077346,"updated":1594077346}}],"meta":"Discussion round for cyborgs and interested parties.","tags":[{"id":"meetup","model":"tags","item":{"id":"meetup","created":1623687546,"updated":1623687546}}],"links":[{"id":"plug-play-007","model":"links","item":{"url":"https://www.facebook.com/events/472104122981141/","title":"Facebook event","id":"plug-play-007","created":1623850498,"updated":1623850498}}],"updated":1623851106,"associated":[{"id":"cyborgs","model":"profiles","item":{"name":"Cyborgs e.V.","biography":null,"email":"hello@cyborgs.cc","picture":[{"id":"logocyborgsev-236x300.png","location":"v2","item":{"id":"logocyborgsev-236x300.png","url":"/Users/gilbert/Code/lacuna-media/v2/logocyborgsev-236x300.png","name":"logocyborgsev-236x300","ext":"png","width":236,"height":300,"ratio":1.271186440677966,"location":{"path":"/Users/gilbert/Code/lacuna-media/v2","name":"v2"},"meta":{"megapixels":0.071,"colours":["hsl(0,0.0%,50.0%)","hsl(0,0.0%,26.0%)","hsl(0,0.0%,74.0%)","hsl(0,0.0%,30.0%)","hsl(0,0.0%,1.6%)","hsl(0,0.0%,30.0%)"]},"size":5709,"mime":"image/png","unique":"8639432649-1594083458000-1623591850725.6707","api":"/api/lacuna/media/v2/logocyborgsev-236x300.png.json","created":1594083458,"updated":1594083458}}],"links":[{"id":"cyborgs-ev-website","model":"links","item":{"title":"Website","url":"cyborgs.cc","id":"cyborgs-ev-website"}}],"id":"cyborgs","type":"community","updated":1623837694,"picture-style":"light","associated":[]}}],"extra":[]},{"start":1443981600,"end":null,"id":"plugnplay-meeting-6-with-talk-warum-wir-schon-immer-cyborgs-waren-und-was-das-fur-konsequenzen-haben-konnte","places":[{"id":"lacuna-lab","model":"places","item":{"address":"Paul-Lincke-Ufer 44A, 10999 Berlin\n","title":"Lacuna Lab","id":"lacuna-lab","created":1623700707,"updated":1623700707}}],"description":"

„Warum wir schon immer Cyborgs waren und was das für Konsequenzen haben könnte“ von Jan Claas van Treeck, PhD Humboldt Universität, Berlin

„Mensch und Menschlichkeit sind seit langem privilegierte Konzepte unserer (Selbst-)Wahrnehmung. Wir Menschen sind angeblich anders und besser als Dinge, Pflanzen, Tiere, weswegen Menschen zum einen besonderen Schutz und Rechte genießen, zum anderen aber angeblich auch spezielle Verantwortungen tragen (sollen). Ist der Mensch etwa die „Krone der Schöpfung“, dann muss es gelten Kranke und Behinderte wieder auf ein menschliches „Normalmaß“ zu heilen oder aufzurüsten. Abweichung vom Normalmaß „Mensch“ sind nach unten (Behinderung) oder oben (übermenschliche Leistungssteigerung/Cyborgisierung) nach einer solchen gesellschaftlich dominanten normativen „Menschensicht“ abzulehnen.

Neben diesem normativen Zugriff auf den Menschen gibt es allerdings einen zweiten geistesgeschichtlichen Strang, der versucht den Menschen nicht aus seiner Privilegierung sondern aus seiner „Defizienz“ heraus zu definieren. Technik und die Auf- und Umrustüng des Menschen sind in dieser Sicht quasi „natürlich“ und machen den „Menschen“ erst zum „Menschen“. Wie könnte eine solche Cyborggeschichtsschreibung aussehen und welche Konsequenzen könnte sie haben?“

The talk is held in German language.

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It's summer, it's hot, we desperately need to cool down. So the appropriate topic of the evening is cryonics. A lecture by Torsten Nahm.

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Discussion round for cyborgs and interested parties.

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Discussion round for cyborgs and interested parties. Nelli Hergenröther introduces Ringly.

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Discussion round for cyborgs and interested parties.

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\"Soylent Grün ist Cyborg-Food!\"

Jan Claas van Treeck führt ein in eine cyborgistische Sicht auf das Thema Essen und seine Zukünfte. Wie werden wir in Zukunft essen? Wollen wir das? Müssen wir das? Was könnte uns das \"Essen der Zukunft\" über unsere Verhältnisse zum Thema \"Nahrungsmittel\" sagen?

Zu Vortrag, kurzem Film und Diskussion können alternative Nahrungsmittel getestet werden. Ganz cyborg-vorweihnachtlich gibt es also Seenotkeks statt Spekulatius, Meal Replacement Shakes statt Dominosteine und Astronauteneis statt Lebkuchen; denn \"freeze-dried\" ist vielleicht das neue \"gluten-free\".

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Discussion round for cyborgs and interested parties.

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Philosophical discussion round on the subject of non-human subjectivities.

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We’re always glad when they come. But also to see them go. The things that remain, the arches and ornaments, tell us of a life that has been lived. Single shards spell out eternity. Jars and vessels are libraries and witnesses all at once: the outlines of eternal travelers who never arrive, but shouldn’t be impeded. Decisions should only be made when one is aware of various possibilities. Retreat into one’s own existence. Dilute one’s identity. ‘I’ is only a construction, too. Swim. Be water my friend. So limpid as to provide a large area for the phantoms and projections of others. Transparent bodies. A heart of glass. Back in the days, people never got old enough to get cancer. Procedures. The representation of death as sickness. The metaphysical order of things. An understanding that living beings in the world are compositions standing side by side, tightly bound enough to make it through the day, and that in spite of everything they are of this earth, in life and death. And this way of being an ‘earthling’ is a kind of counterpoint to the transcendentalism of philosophy, science and politics, as well as all the other, different regimes that involve a commitment to deathlessness. The spider weaves the world.

In our project “Spaced Out in Outer Space” we will examine the history of the balance in cybernetics and biology and its influence on our contemporary conception of nature and society. We are interested in the question of the extent to which notions of “pure” nature, immortality and space travel have always been a fantasy in western science and art to escape a faulty existence and to change it instead of accepting its limits.

For this purpose, Paul Wiersbinski will create stories and shoot videos to examine narration itself as a political tool and to talk about what future communities might look like. Based on these narratives, Behrang Karimi will produce drawings and paintings. Our goal is to tell a story that is big enough and yet open to talk about current doomsday fantasies. As Donna Haraway says, \"It depends on what thoughts think about thoughts.\"

Both artists have worked together several times, including with earlier funding from the NRW Kunststiftung for the exhibition “Dumb Pigs Smart Pigs” about the possibility of a utopian society of pigs and most recently at the Schauspiel Köln as part of the scenic dance installation “Flakon” together with Mara Tsironi.

funded by / gefördert aus Mitteln der Projektförderung des Bezirks Friedrichshain-Kreuzberg

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I studied video art with Mark Leckey and Douglas Gordon at the Städelschule in Frankfurt (Main) and currently live and work in Berlin.

18h till 22h - Exhibition

For Vorspiel 2020 Lacuna Lab invites you to a member-exhibition. Scanned bodies will be transformed into 3D entities, games played in potential caravans and gatherings taken place around the images and sounds of digital campfires.

Participating Artists

Merlin Carter, Petja Ivanova, Magdalena Kovarik, Fara Peluso, Gilbert Sinnott, Nayeli Vega

20h - Audiovisual Performance

\"2020 statt 50/50\" (https://vimeo.com/382742778)

by Aadam Aal (music) & Paul Wiersbinski (analogue VJing)

Aadam Aal is possessed by a looney tunes ghost and will be joined by distorted images, narrating a story-big-enough of a past and a future, which does not exist.

free entrance (donations are welcome)

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Lacuna Lab is hosting an openFrameworks meetup on Friday the 10th of March. More information available on meetup.com.

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Info

A community meet-up for anyone interested in video circuitry, synthesis, visual coding, DIY electronics and tools. This is our first event and attendees are welcomed to come plug and play on provided CRT monitors and projectors, with presentations from:

Olivia Jack

Hydra live coded visuals

Tim Caldwell

r_e_c_u_r video sampler

Gilbert Sinnott

RPi w. OpenFrameworks

Details

Monday 18-03-19

Doors at 6.30pm, talks from 7pm

Facebook Event

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VCB is a community meet-up for anyone interested or curious about video circuitry, synthesis, visual coding, DIY electronics and tools. Attendees are welcomed to come plug and play on provided TVs and projectors, with presentations from:

VanTa Pfadfinderei Monolith, LZX video synthesis

Manolo Gamboa Naon VSynth visual coding environment

Ilu Vatar Processing for MS-DOS

Starts at 6.30pm, talks from 7pm

Facebook Event

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Facebook page for the event RSVP

This workshop is all about how to make new instruments for music and visual art that have no knobs, buttons, sliders, or dials. How do you turn a series of hand gestures into a musical score, convert a dance sequence into a light show, or make an installation respond to people’s smiles? We will learn how to create these interactions and many others during the course of this workshop.

Practical

Cost: €35
Timing: 13:00-17:30 ++
Workshop leader: Gene Kogan
Bring: bring what you do! Your music/art software, your dance moves, your performative faculties. Or just your curiousity – we’ll have examples already setup.

RSVP

Please RSVP at our event page Kindly direct any questions to Gene.

Full description + agenda

The workshop will contain no theory, lecture, or other sitting stuff. We’ll be making and moving quickly. It will be fun, practical, and collaborative. We will use software to control each other’s setups via the network, all of which will be provided in the beginning. Bring your Ableton sets, your Arduinos and Kinects, your Processing sketches, or just bring yourself and get ready to be a dancing guinea pig in a bunch of experimental sets.

We need:

dancers!
musicians!
creative technologists!
graphic and visual artists and designers!
enthusiastic guinea pigs!

Examples:

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Retune works at the intersection of Art, Design and Technology. They organize conferences, curate events, conceptualize workshops and produce artworks & installations. For artists, for the community, and for clients.

For #13 of the Retune Studio Visit series, we at Lacuna Lab are welcoming the creative tech community of Berlin into our home. There will be 14 very short presentations and 6 installations all over the place.

Timetable

19:00 Open doors

20:00 First presentation batch

21:00 Second presentation batch

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Signal Chains as Stimulus Artifacts

Is the art we make and culture we build simply an evocation of ancestral memories? What is the basal thread running through our creative inspirations… are they just entangled solutions ingrained biologically since before language? How have our experiences been changed by the technologies operating on symbolic representations of this world around us? All material suffers entropy but is all data lost with it?

// Bio

Nathan John Thompson explores the possibilities of man/machine interaction, mechanical sentience and the hidden creative corners that arise from these relationships. He is currently Artist in Residence at SymbioticA (Western Australia) on a research grant from Australia Council for the Arts – researching new technologies in human based IP Stem Cell and Soft-Robotics. https://nathanjohnthompson.wordpress.com/

// Science Salon

The Lacuna Science Salon is an irregular event series for friends organised by Lacunians Lucy Patterson and Eugene Kogan – informal, accessible, and open to different topics: contemporary research, art-science, DIY science, science policy, history of science…

18:30 Doors

19:00 Talk starts

Donations for the speaker and organisers highly appreciated!

–––––––––––––––––––––––––––––

Lacuna Lab

Paul-Lincke-Ufer 44A

2.HH 1.OG

10999 Berlin

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Lacuna Lab presents a two-day exhibition of interactive artworks, with a performance and talk on each evening. Serious Sparkles.

Exhibition 10.02 – 11.02.

An Inquiry into Artificial Stupidity explores our current state of willful ignorance in the post-fact era. In this state reality and fabrication blur into one another and sparkly treats provide welcome distractions. Visitors are invited to explore an elusive physical and digital snapshot of our ever-shifting collaborative activities across a range of tools and methods such as robotics, audio-visual performance, generative art and machine learning.

Participating Artists

Nayeli Vega, Thomas Heidtmann, Sarah Hermanutz, Marcel Schwittlick, Ramin Soleymani, Jemma Woolmore, Gene Kogan, Peter Kolski, Nenad Popov, James Kneafsey, Thomas O’Reilly

Performance 10.02.

Sarah Hermanutz and Nenad Popov will debut their new audio-visual performance collaboration. In “Live Decomposition”, inspiration is drawn from the sights, sounds, and textures of wetlands, where life and death mingle in swampy, sparkling layers of sensation.

20:00 - Nenad Popov & Sarah Hermanutz - Live Decomposition

Talks 11.02.

Lacuna Lab presents an evening of talks with Yvonne Reiners, curator, and founder of Performing Encounters, and Nick Houde, PhD candidate at the EGS and research associate for the Technosphere project at HKW. Themes in the exhibit “Serious Sparkles“ will be considered from the perspective of each speaker’s own curatorial and philosophical research. Reiners will discuss self-empowerment and human-machine interactions within the current media environment of fake news and memes, while Houde shares his analysis about the future of meaning and general intelligence in cultural production in relation to science, art, and fiction.

19:00 - Yvonne Reiners (Performing Encounters)

19:45 - Nick Houde (PhD EGS, Researcher at HKW)

Opening hours

Fri 10th from 18:00 to 23:00 pm

Sat 11th from 13:00 to 23:00 pm

Lacuna Lab

Paul-Lincke-Ufer 44A

2.HH 1.OG

10999 Berlin

Lacuna Lab is about collaboration. We mix logic and beauty to create interactive works for us and for you. We are driven by imagination, playfulness, and experimentation. We love partnering with others on projects and collaborations, and sharing what we learn through public exhibitions, classes, and workshops.

This exhibition is part of the official Transmediale 2017 Vorspiel https://vorspiel.berlin/

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For three days, Spektrum is overgrown by Lacuna Lab, a Berlin-centred collective of trans-disciplinary artists. For the collective’s inaugural exhibition, spores of ideas waft across the canal from their studio on Paul-Lincke-Ufer, taking root as a multi-channel network of biology- and technology-based pieces. These objects and installations draw input from their surroundings in Spektrum, the audience, and one another, creating a playful environment of screens, textiles, lights, lasers, plants, water vapor, and interwoven generative sounds. Opening with a live-generated audio-visual-dance performance, this exhibition investigates collaboration, perception, growth and decay.

Program

Friday 22 April: 18:00 OPENING of the exhibition

Saturday 23 & Sunday 24 April: Exhibition open from 17:00

Performances at 19:30 and 21:00 on Friday and Saturday

Participants

Abe Pazos, Assi Pakkanen, Aurelia Friedland, Claudine Chen, Jemma Woolmore, Jeremias Volker, Joa Ritter, Marcel Schwittlick, Mei-Fang Liau, Peter Kolski, Ramin Soleymani, Sarah Hermanutz, Sé Sneaky, Soma Holiday, Takuro Iwata, Thomas Heidtmann, Yoko Iki

PROJECTS

GREENHOUSE

The Greenhouse is an immersive sensory environment, a temporary passage between rooms of the exhibition. This structure contains living and non-living matter – and things in between. The climate inside is regulated with humidifiers. Additional blacklights add an atmosphere of lush growth. It is an embodiment of Lacuna Lab itself and a collaboration between all of its members.

FIREFLIES - Abe Pazos, Mei-Fang Liau

Fireflies is a collaborative spatial sound experience. The participants use their mobile devices to virtually approach others in the same room, communicating through generative visuals and abstract sounds. The harmony or dissonance of the sound guides the participants in their social exploration, making them aware of how connected or individual they are.

TYCHO - Thomas Heidtmann, Soma Holiday, Jemma Woolmore

Tycho is an interactive object that mimics the shape and behaviour of the James Webb Space Telescope by capturing light with a sensor and transmitting its colour via LEDs to a mirrored hexagonal surface, where it modulates a projection sequence inspired by images of the birth and death of stars.

TENDRIL RECURSION - Sarah Hermanutz, Mei-Fang Liau, Assi Pakkanen, Peter Kolski, Ramin Soleymani

Inspired by time, growth and decay, this atmospheric performance connects contemporary dance with a live-generated musical score and projected visuals. Wearing a costume embedded with textile sensors, the dancer acts as conductor of the generative graphics and musical variations. This performance explores the human interconnection with nature and technology.

IN ALVEO - Sé Sneaky, Joa Ritter, Yoko Iki, Sarah Hermanutz

In Alveo is an exploration of the connection between mother and baby during a natural birth. You are with your baby for every movement (s)he has to make to navigate the birth canal. Through a multi-sensory interaction you use your own rhythms to support your baby.

ALTERNATIVE SOUNDTRACK - Claudine Chen, Abe Pazos, Sé Sneaky

Walk into the room. Check your phone messages. What was that sound? Was it you? Altsound takes a bird’s eye view of this microcosm, and feeds you sounds as you navigate the space. Sounds from disparate sources come and go depending on the ebb and flow of you and those around you.

THE ORACLE - Marcel Schwittlick, Ramin Soleymani

Chat to the Oracle of Lacuna via this terminal, sent from the past, giving you access to the collective mind of Lacuna Lab. Pick the brain and heart of Lacuna by starting a sentence, the oracle will finish for you, revealing nothing but the truth.

VECTOR GRAPHICS ON A LASER - Marcel Swittlick

Abstract constellations of lines, manifesting themselves into structures of unsettling order. Experiments in algorithmic spacial compositions of movements.

SATURATED NO.1 - Aurelia Friedland, Takuro Iwata, Jeremias Volker

SATURATED No. 1 is the first in a series exploring data visualizations with color on a physical, human scale. As audiences enter and leave SPEKTRUM, a door counter sends saturated activity to an additive color display nearby.

THE PROCESS - Marcel Schwittlick

The Process is an object representing the past. It’s an approach towards documentation of the for outsiders invisible process of founding of the Lacuna Lab community and working space. The box is filled with leftovers carefully collected from the floor of the Lacuna Lab over the period of the first 8 months of its existence.

","title":"Lacuna Lab Activation Exhibition","status":"published","cover":[{"id":"69bd3dd4-d271-5286-9f16-26ccacc7bfd4.jpg","location":"v2","item":{"id":"69bd3dd4-d271-5286-9f16-26ccacc7bfd4.jpg","url":"/Users/gilbert/Code/lacuna-media/v2/69bd3dd4-d271-5286-9f16-26ccacc7bfd4.jpg","name":"69bd3dd4-d271-5286-9f16-26ccacc7bfd4","ext":"jpg","width":384,"height":216,"ratio":0.5625,"location":{"path":"/Users/gilbert/Code/lacuna-media/v2","name":"v2"},"meta":{"megapixels":0.083,"colours":["hsl(23,41.2%,43.3%)","hsl(28,48.1%,20.4%)","hsl(23,41.2%,74.0%)","hsl(24,32.5%,48.8%)","hsl(27,34.8%,35.5%)","hsl(20,20.6%,74.3%)"]},"size":29924,"mime":"image/jpeg","unique":"8639432739-1579065924000-1623591850654.4053","api":"/api/lacuna/media/v2/69bd3dd4-d271-5286-9f16-26ccacc7bfd4.jpg.json","created":1579065924,"updated":1579065924}}],"meta":"For three days, Spektrum is overgrown by Lacuna Lab, a Berlin-centred collective of trans-disciplinary artists. For the collective’s inaugural exhibition, spores of ideas waft across the canal from their studio on Paul-Lincke-Ufer, taking root as a multi-channel network of biology- and technology-based pieces. ","tags":[{"id":"exhibition","model":"tags","item":{"id":"exhibition","created":1623687531,"updated":1623687531}}],"links":[],"updated":1623688951,"associated":[],"extra":[]},{"start":1499617800,"end":null,"id":"science-salon-002-artist-talk-karolina-sobecka","places":[{"id":"lacuna-lab","model":"places","item":{"address":"Paul-Lincke-Ufer 44A, 10999 Berlin\n","title":"Lacuna Lab","id":"lacuna-lab","created":1623700707,"updated":1623700707}}],"description":"

Owning the weather in 2020

Defining weather as information, the atmospheric processes as a new communication protocols, and genetic editing of the atmospheric microbiome as new information technology, this project investigates the way in which nature is appropriated by the institutions of property and ownership and how power is produced through the exercises of science and technology.

// Bio

Karolina is an artist and designer working at the intersection of art, science in technology. Her recent projects investigate what drives technological innovation, and shapes the philosophy that inscribes humans in nature. Karolina’s work has been shown internationally, including at the V&A, The National Art Museum of China, MoMa Film, ZKM, WRO Biennale, Beal Center for Art + Technology, Marfa Dialogues, Science Gallery, Zero1 and ISEA, and has received numerous awards, including from Creative Capital, Rhizome, NYFA, Princess Grace Foundation, Eyebeam, Queens Museum, Vida Art and Artificial Life Awards and Japan Media Arts Festival. Karolina founded art and design studio Flightphase, has taught at Rhode Island School of Design, School of the Art Institute of Chicago and University of Washington. She is a visiting scholar at Scripps Institution of Oceanography. http://karolinasobecka.com/

// Science Salon

The Lacuna Science Salon is an irregular event series for friends organised by Lacunians Lucy Patterson and Gene Kogan – informal, accessible, and open to different topics: contemporary research, art-science, DIY science, science policy, history of science…

18:30 Doors

19:00 Talk starts

Donations for the speaker and organisers highly appreciated!

–––––––––––––––––––––––––––––

Lacuna Lab

Paul-Lincke-Ufer 44A

2.HH 1.OG

10999 Berlin

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This time we bring together a few friends to talk about community science, biohacking, methodologies and nomadic labs. A special topic for the evening will be SOIL and we hope to also hear a few words on some upcoming projects around soil ecology, urban gardening… If you like the kind of art or science that gets your hands dirty, then come along. Our plan is to keep the talks part short so there is plenty of time for chats.

Marc Dussellier – Hackteria methodologies of temporary labs Hackteria is an international network active since 2009 in the field of Open Source Biological Art. As a community platform hackteria tries to encourage the collaboration of scientists, hackers and artists to combine their expertise, share simple instructions to work with lifescience technologies and cooperate on the organization of workshops, gatherings, retreats and durational temporary labs. Especially the latter has been fundamental to establish international collaborations and initiate new projects. We will give an overview of how this radically transdisciplinary format has shaped our approach to community science.

Julian Chollet – The parallels between phage therapy and organic farming. What we can learn from the history, paradigms and celebrities of such seemingly unrelated fields.

Svenja Nette – Svenja will talk about an upcoming Berlin project called soil hub, a place for all things soil. Whether its testing your garden soil, creating an exhibition, putting an experimental set-up into action or learning about soil’s role in climate change, we are there to make this vital topic more visible and accessible.

// BIOS

Marc Dusseiller aka dusjagr is a nomadic researcher and workshopologist. He is part of the Center for Alternative Coconut Research and co-founder of SGMK and the Hackteria network. He loves making DIWO laboratories for creative biological experimentation and works in an integral way, combining science, art and education. He has worked as guest faculty and mentor at various schools, Srishti Institute of Art, Design and Technology, Bangalore (IN), UCSB (USA) and in Switzerland, FHNW, HEAD, ETHZ. He lives and works in Zürich,Taipei and Yogyakarta. He also loves coconuts.

Julian Chollet is a curious student and informal teacher with a background in molecular biology. He is working on the endless and under-explored biodiversity of microbes, fungi and phages, with the aim to liberate the world from microphobia through workshopology, fermentation and microscopy. He is a member of the Global Hackteria Network and founder of the non-profit association mikroBIOMIK Society, which promotes intrinsic curiosity and participation in science - with a focus on invisible creatures.

Svenja Nette is an urban gardener, activist and anthropologist. She studied management of agroecological knowledge and social change, and is since 2011 responsible for project organisation at renowned Berlin urban gardening project, Prinzessinnengarten.

// Science Salon

19:30 Doors

20:00 Talks start

Donations for the speaker and organisers highly appreciated!

–––––––––––––––––––––––––––––

Lacuna Lab

Paul-Lincke-Ufer 44A

2.HH 1.OG

10999 Berlin

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This time we bring together a few friends to talk about community science, biohacking, methodologies and nomadic labs. A special topic for the evening will be SOIL and we hope to also hear a few words on some upcoming projects around soil ecology, urban gardening…","tags":[{"id":"meetup","model":"tags","item":{"id":"meetup","created":1623687546,"updated":1623687546}},{"id":"workshop","model":"tags","item":{"id":"workshop","created":1623687510,"updated":1623687510}}],"links":[],"updated":1623688766,"associated":[],"extra":[]},{"start":1523696400,"end":null,"id":"in-the-mood-for-shaders-workshop","places":[{"id":"lacuna-lab","model":"places","item":{"address":"Paul-Lincke-Ufer 44A, 10999 Berlin\n","title":"Lacuna Lab","id":"lacuna-lab","created":1623700707,"updated":1623700707}}],"description":"

Facebook event

This workshop is for people interested in computer graphics who want to use the power provided by the computer’s GPU processor to play with, improve and maybe glitch their visuals.

Most environments like Processing, OpenFrameworks, three.js, Unity, Unreal, VVVV, Jitter, etc. come with default shaders which are often very basic or try to be realistic or behave nicely. But we can “fix” them :)

In this workshop we will write simple GLSL programs in a live coding environment, which means that you will immediately see the effect of any code you write, without having to reload or wait for programs to recompile. You will learn how shaders can be used for different purposes, some more practical and others more creative and experimental.

If you know how to use a variable, a for-loop and an if-statement, you know enough to enjoy the workshop :)

Apply here: https://hamoid.com/post/2018-03-in-the-mood-for-shaders/

–––––––––––––––––––––––––––––

Lacuna Lab Paul-Lincke-Ufer 44A 2.HH 1.OG 10999 Berlin

Directons

","title":"In the Mood for Shaders - Workshop","status":"published","cover":[{"id":"f395e751-b2e7-52f2-b698-0f2b652add4f.jpg","location":"v2","item":{"id":"f395e751-b2e7-52f2-b698-0f2b652add4f.jpg","url":"/Users/gilbert/Code/lacuna-media/v2/f395e751-b2e7-52f2-b698-0f2b652add4f.jpg","name":"f395e751-b2e7-52f2-b698-0f2b652add4f","ext":"jpg","width":900,"height":600,"ratio":0.6666666666666666,"location":{"path":"/Users/gilbert/Code/lacuna-media/v2","name":"v2"},"meta":{"megapixels":0.54,"colours":["hsl(46,45.9%,50.0%)","hsl(46,45.9%,29.0%)","hsl(46,45.9%,74.0%)","hsl(43,22.0%,50.2%)","hsl(0,33.3%,30.6%)","hsl(0,0.0%,73.7%)"]},"size":135256,"mime":"image/jpeg","unique":"8639432678-1579065930000-1623591850716.0024","api":"/api/lacuna/media/v2/f395e751-b2e7-52f2-b698-0f2b652add4f.jpg.json","created":1579065930,"updated":1579065930}}],"meta":"This workshop is for people interested in computer graphics who want to use the power provided by the computer’s GPU processor to play with, improve and maybe glitch their visuals.

Most environments like Processing, OpenFrameworks, three.js, Unity, Unreal, VVVV, Jitter.","tags":[{"id":"workshop","model":"tags","item":{"id":"workshop","created":1623687510,"updated":1623687510}}],"links":[],"updated":1623688745,"associated":[],"extra":[]},{"start":1538121600,"end":null,"id":"davide-prati-algorithmic-botany-workshop","places":[{"id":"lacuna-lab","model":"places","item":{"address":"Paul-Lincke-Ufer 44A, 10999 Berlin\n","title":"Lacuna Lab","id":"lacuna-lab","created":1623700707,"updated":1623700707}}],"description":"

The workshop »Algorithmic Botany Workshop« gives an overview on how to write programs that generate 3D forms of trees and flowers. It focuses on two topics, phyllotaxis and L-Systems; exploring these two topics, the participants will discover the simple and beautiful mathematics hidden in plants. The knowledge acquired in this workshop can be applied to design, illustration, 3D printing, 3D modelling & video games.

INFO

Friday SEPTEMBER 28th, 10 am to 5 pm

Bring your laptop with a recent version of Chrome or Firefox. Programming experience is not required, although it is recommended.

Davide Prati is a visual artist and interactive developer born in Italy and currently based in Berlin. Since 2015, he has been developing a collection of open-source software to draw plants and flowers in 2D and 3D. His research focuses on the implementation of primitive geometric forms in programming. In particular, he is interested in the forms suggesting the organic, such as animals, flowers or trees. The aim of this research is to explore human uncertainty in the recognition of the organic in the digital.

davideprati.com

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Info

For Transmediale’s Vorspiel program 2019 Lacuna Lab present 3 audio-visual performances by RGGTRN, Autr / Nenad Popov, and Régis Lemberthe.

Codescapes

Codescapes is an A/V performance by the collective RGGTRN that takes into account the sound and visual context of Berlin. The performance experiments with technologies such as Orbit - an OpenFramework + SuperCollider live coding tool developed by RGGTRN. Through their performance, the collective aim to achieve an integrated aesthetic where audio and visual technologies melt into one.

RGGTRN (pronounced reɣɣaeˈtɾon) started as an electroacoustic and mixed music duo founded in 2012 in Mexico City. However, they have evolved into a collective that engages in algorithmic dance music and audiovisual improvisation informed by the Latinx context of its members.

Fully-Automated Luxury

Fully-Automated Luxury Cosmism is a collaborative audio-visual performance between Nenad Popov (sound) and Gilbert Sinnott / Autr (video). Through synaesthetic improvisation of hacked and repurposed analogue video equipment, synthesisers and electronics, a gestalt psychedelic journey emerges.

Orbital Resonance

French artist Régis Lemberthe merges moving analog sounds and digital images into an impressionist patchwork, capturing and amplifying natural processes, vibrations and electromagnetic interferences, and feeding the result into itself until it gives birth to a unique live piece.

RGGTRN: https://rggtrn.github.io

Gilbert Sinnott / Autr: https://autr.tv

Nenad Popov: http://morphogenesis.eu

Régis Lemberthe: http://lemberthe.com

Details

Wednesday 30-01-19, 7pm

On Facebook: https://www.facebook.com/events/561950717614203/

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Two-day Intensive Calligraphy Workshop of Persian Nastaʿlīq Script

Language: English (Proficiency of Persian language is not required for this workshop)

Limited capacity, therefore attendance is only by online registration

This class is tailored mostly for beginners but open as well as for those with previous experience who want to improve their handwriting skills. Hands-on sessions will be combined with on-site demonstrations, live feedback, short informal lectures and Q&A

Nastaʿlīq script is traditionally the most predominant style in Persian calligraphy. It was developed in Iran in the 14th and 15th centuries. The script is well known for its fluid style. It has short verticals with no serifs and long horizontal strokes. Nastaʿlīq remains very widely used in Iran, Pakistan, India, Afghanistan and some other countries for written poetry and as a form of art.

Persian Calligraphy Workshop

Level: Beginner (No knowledge of the language or the script is required)

Language: English

Dates: March 16 and 17

Time: 11:00-16:00 (one hour Lunch break at 13:00)

Cost : 125 euros

Limited Capacity - Max number of participants is 10

++ WHAT YOU WILL LEARN ++

Day 1:

History, Theory and Technique

Some good old history and theory
Learning the writing technique: the lettering design of all the alphabet in Persian. In this session, we will start to write our first “A” to “Z”, with 90% of the class dedicated to practice and 10% to theory.

Day 2:

Produce Your Own Work

We kick start the day by learning to write your own name.
For the most part of this day, we focus on learning about form and composition. You will learn about Siah-Mashq (“black drill”) panels, which communicate via composition and form, rather than content. For this session, you will get very creative and playful, where you will be developing your own compositions.

++ WHAT TO BRING AND WHAT TO TAKE AWAY ++

What you will take away:

your very own reed pen
detailed handouts
your creations and compositions
theoretical and practical tools for the continuation of your practice

What is provided in the course:

Persian Calligraphy Reed Pen (Qalam Ney)
Ink (Morakkab)
Silky Ink-Controller (Liqeh)
Paper (Kaaqaz)
Tea/coffee and some snack

What to bring:

Your PATIENCE and SMILE
An A4 folder to take away your creations
Ink Container (Davaat) [There will be a limited number of containers to share between everyone at the workshop. Bring a very small container with you so I can prepare an ink container (with ink and Ligeh) that you can take home for further practice. It is important that the container should be small, shallow and with a wide opening, so the pen can easily enter]
Ruler, (and/or compass ) to draw lines and circles, or any other shape you want to make on the second day.

ABOUT THE INSTRUCTOR

Sahar Homami is a calligrapher and digital artist based in Berlin. Born and raised in Tehran, she was trained in Persian calligraphy from a very young age and acquired the Mastery level in Persian calligraphy by the age of 18. From 2009 - 2015 She was the representative of the Iran Calligrapher’s Association of North America in Montreal where she was regularly holding workshops and official exams. Since in Berlin, she has researched and focused on both digital and analogue art creations, developing new approaches in modern calligraphy.

https://www.instagram.com/kashf_o_shohud/

ADDITIONAL NOTES

Cancellation Policy: To ensure participant attendance, if you have registered for the workshop you must cancel your booking at least five days before the workshop for a refund

Payment: Registration for the workshop is through Eventbrite. If you do not wish to use Eventbrite Contact us in advance.

Public Relation: By registering, the organizer (Sahar Homami) will be given permission to take photos and film recordings during the event and to use these recordings in connection with the event for publicity and documentation, both analogue and digital.

INTERESTED IN THIS WORKSHOP BUT THE TIMING DIDN’T WORK FOR YOU? LET ME KNOW! I WILL LET YOU KNOW WHEN THERE WILL BE A NEXT WORKSHOP.

contact: StudioHomami@gmail.com

See you soon

Facebook Event

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The Arts & Hypnosis Workshop is back Berlin!

About the workshop:

In this workshop you will learn about hypnosis as a tool for art experimentation and production. Artists across disciplines have explored this mind-state to produce original artworks.

You will get an overview of what hypnosis is and Nahum will demystify the beliefs and stigmas around it. You will understand the basic differences in various trance states, the historical development of hypnosis, its different stages and the role of suggestion.

Afterwards we will review a series of artworks that have employed hypnosis. You can use these examples as case studies for developing your own experiment. We will make sure to provide an intimate and private space to let yourself drift away.

In the second part of the workshop Nahum will carry a group hypnosis session during which you will create your own artwork. These experiments could make use of movement, writing, drawing and sound, whatever you are most interested in. In the end, we will have a sharing round for you to talk about your experience.

For any questions about the workshop, feel free to contact us at ethereal@nahum.xyz.

Notes:

Since capacity is limited, make sure to book your tickets early.

Duration: 3 hours

Cost: 40€ , Early bird: 30 €

This workshop will explore hypnosis and art, however, it will not cover hypnotherapy.

Hypnosis is a safe practice but we advise to only attend if you feel physically and emotionally healthy on the day of the workshop.

Tickets:

https://www.eventbrite.com/e/arts-hypnosis-workshop-in-berlin-tickets-63374480778

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Limited number of attendees!

RSVP here: https://www.meetup.com/Blender-3D-Berlin/events/265472858/?fbclid=IwAR3sCJosEVc0mAKlFijJx9IRgLH7bcple7NG_FdcpOYr3PtVBHSLBwVoW5M

Friday, 11 October 2019, the Blender 3D Meetup will meet at Lacuna Lab.

Nayeli Vega will present part of her project which focuses on blending textiles, design and additive manufacturing inspired by an v2 writing system.

Carolina Romano will be showing some part of the process of making the assets for the video game NAMAVE.

See you on Friday!

This event follows the Berlin Code of Conduct: http://berlincodeofconduct.org/

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Artists

Pratyush Raman, Noor us Sabah Saeed

Opening

Friday, 18 October, 7 pm

Duration

19 October – 27 October

Opening hours

Friday 5–8 pm, Saturday 2–5 pm and Sunday 12–5 pm

and on appointment

Artist talks

Sunday, 27 October, 3 pm

Location

Uqbar – Gesellschaft für Repräsantationsforschung e.V.

Schwedenstraße 16, 13357 Berlin-Wedding

Description

The exhibition ‘A Vital Piece of Information – Fragments of a Greater Context’ brings together two contemporary artistic positions from India and Pakistan, intersecting in their inquiry on information, technology, humans and time. Their specific topics of interest, methods, and perspectives are fundamentally different, yet they are united in their wish to reveal a hidden truth that is constituting our present.

Noor us Sabah Saeed from Pakistan takes us to Indus river, where she is looking into its current threats from climate change. Additionally, she investigates archaeological technologies to find out reasons for the disappearance of Sarasvati river and Harappan Civilization, in an effort to speculate further and retell the story of Indus differently. By investigating relations between Artificial Intelligence (AI) and human consumption patterns related to YouTube, Indian artist Pratyush Raman plays with the narrative of users engaging in consumption and becoming a part of the production, aiming to raise awareness and to reflect on it. As a relevant fragment in itself, both artistic positions refer to the greater and more complex context that constructs our past, present and future.

Curated by artist-curator Thomas Heidtmann and Lacuna Lab.

Pratyush Raman

Pratyush is a practising artist from Bangalore, where his work revolves around education, technology and playfulness of mathematics. He teaches creative coding and new media at Srishti Institute of Art, Design and Technology. His enquiries deal with consciousness, conditioning and fiction in the contemporary paradigm of civilisation. In Serendipity Arts Festival, his installation work, Breathe Pong reconstructed Pong, one of the earliest arcade games, as an interactive reflection of breathing. He uses code, music and painting as his media of expression.

Noor us Sabah Saeed

Noor us Sabah (lives and works in Karachi, Pakistan) is a current resident artist for two months (Sep-Oct 2019) at Lacuna Lab, Berlin. Recently, she participated in two residencies: Kreative Pause Artist Residency in Karlsruhe, Germany and Murrree Museum Residency in Murrree, Pakistan. She is also a recipient of Lahore Biennale Foundation’s Research Grant 2018/19 and ifa (Institut für Auslandsbeziehungen) Künstlerkontakte grant 2019 for her project ‘How Much Time Does It Take for Fossils to Convert into Fuels?’. She has an MFA in Public Art and New Artistic Strategies from Bauhaus-University Weimar and a BFA from Visual Studies Department, University of Karachi.

Cooperation partners

Lacuna Lab, Goethe-Institut Bangalore / Max Mueller Bhavan, Srishti Institute for Art, Design and Technology, Institut für Auslandsbeziehungen e.V. (ifa), Lahore Biennial Foundation (LBF)

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𝗔𝗯𝗼𝘂𝘁 𝗕𝗹𝗲𝗻𝗱𝗲𝗿:

Blender is the free and open source 3D creation suite. It supports the entirety of the 3D pipeline—modeling, rigging, animation, simulation, rendering, compositing and motion tracking, video editing and 2D animation pipeline.

𝗔𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝘄𝗼𝗿𝗸𝘀𝗵𝗼𝗽:

In this workshop you will learn the basics of Blender 2.8. You will be able to navigate fluently within the software, and understand the building blocks for creating a 3D project. We will focus on all the general tools that Blender has to create models, textures, materials lighting and rendering.

𝗔𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝘁𝘂𝘁𝗼𝗿:

Carolina Romano is a 3D artist and game designer based in Berlin.

She has worked on big productions as 3D facial animator, where she developed her interest and skills in organic modeling, character design and animation.

Carolina has been using Blender professionally for 7 years in several projects, including medical visualizations, artistic projects, and video games.

For the past two years she has been working on her own video game called NAMAVE. All the assets, animations and riggings are done entirely with Blender.

On 2018 she started a Blender users meetup in Berlin, that is still running.

andraditastudio.com

𝗣𝗿𝗲𝗿𝗲𝗾𝘂𝗶𝘀𝗶𝘁𝗲𝘀:

This workshop is for beginners, so you don’t need to have any previous knowledge of Blender.
Bring your own laptop and mouse and please download and install Blender 2.8 before the workshop.

𝗙𝗲𝗲𝘀 & 𝗥𝗲𝗴𝗶𝘀𝘁𝗿𝗮𝘁𝗶𝗼𝗻:

The workshop will take place at Lacuna Lab during Saturday 16 and Sunday 17 of November, both days from 11:00 to 16:45, with a lunch break of 45 min. at 13.30.

The fee is 65€ for both days.

The workshop has a minimum capacity of 6 people.

For registration or further information contact Carolina Romano:

romanocaro@gmail.com

𝙍𝙚𝙜𝙞𝙨𝙩𝙧𝙖𝙩𝙞𝙤𝙣 𝙬𝙞𝙡𝙡 𝙘𝙡𝙤𝙨𝙚 𝙏𝙝𝙪𝙧𝙨𝙙𝙖𝙮 𝙊𝙘𝙩𝙤𝙗𝙚𝙧 𝟯𝟭𝙨𝙩.

𝗦𝗰𝗵𝗲𝗱𝘂𝗹𝗲:

Schedule workshop Introduction Blender Carolina Romano: Schedule_workshop.pdf

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